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Investigating Musical Performance

Theoretical Models and Intersections

Medium: Buch
ISBN: 978-1-032-23577-6
Verlag: Routledge
Erscheinungstermin: 01.02.2022
Lieferfrist: bis zu 10 Tage

Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times.


Produkteigenschaften


  • Artikelnummer: 9781032235776
  • Medium: Buch
  • ISBN: 978-1-032-23577-6
  • Verlag: Routledge
  • Erscheinungstermin: 01.02.2022
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2022
  • Serie: Musical Cultures of the Twentieth Century
  • Produktform: Kartoniert
  • Gewicht: 398 g
  • Seiten: 256
  • Format (B x H x T): 156 x 234 x 14 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Herausgeber

I.

The interactive and spatial life of music: towards a composite ethnomusicological approach for

the analysis of musical performance

by Giovanni Giuriati

On the sonorous rendering of musical texts: theoretical stances since the early nineteenth century

by Gianmario Borio

Empirical methods in the study of music performance: an interdisciplinary history

by Martin Clayton

Musical performance as a medium of value

by Timothy D. Taylor

‘Musical Personae’ revisited

by Philip Auslander

The performer’s experience: positional listening and positional analysis

by John Covach

Music’s techno-chronemics

by Martin Scherzinger

Investigating musical performance: an overview of recent perspectives

by Alessandro Cecchi, Marco Lutzu

II.

Who’s keeping the score?

by Janet Schmalfeldt

Judging Chopin: an evaluation of musical experience

by John Rink

The manufacture of extravagant gesture: labour and emotion on the operatic stage

by Mary Ann Smart

The physiognomy of the voice: vocal gestures in Italian experimental music (1960–70)

by Michela Garda

Sentimental gesture and the politics of ‘shape’ in the performances of Abd al-Halim Hafiz

by Martin Stokes

Marking the sam: tal, tempo and gesture in khyal performance

by Laura Leante

Lokapañca: analysing structure, performance and meanings of a temple song in Nepal

by Richard Widdess

Between music and noise: the discussion of portamento and its socio-aesthetic implications during

the long nineteenth century

by Camilla Bork

Towards a consideration of the contemporary musical work as ‘a work in progress’

by Pierre Michel