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Byars

All that Hollywood Allows

Re-reading Gender in 1950s Melodrama

Medium: Buch
ISBN: 978-0-415-07117-8
Verlag: Routledge
Erscheinungstermin: 05.09.1991
Lieferfrist: bis zu 10 Tage

All that Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective top-grossing film melodramas, such as A Streetcar Named Desire, From Here to Eternity, East of Eden, Imitation of Life and Picnic.
Stereotypically viewed as a complacent and idyllic time, the 1950s were actually a time of dislocation and great social change. Jackie Byars argues that mass media texts of the period, especially films, provide evidence of society's consuming preoccupation with the domestic sphere - the nuclear family and its values - and she shows how Hollywood melodramas interpreted and extended societal debates concerning family structure, sexual divisions of labour, and gender roles. Her readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some previously bypassed by scholars in the field.


Produkteigenschaften


  • Artikelnummer: 9780415071178
  • Medium: Buch
  • ISBN: 978-0-415-07117-8
  • Verlag: Routledge
  • Erscheinungstermin: 05.09.1991
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 1991
  • Produktform: Kartoniert
  • Gewicht: 515 g
  • Seiten: 336
  • Format (B x H x T): 156 x 234 x 18 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Autoren

Introduction Saying What Can’t Be Said, Reading What Must Be Read: Feminist Criticism, Melodrama, and Film Studies, Chapter One Cultural Studies: An Alternative for Feminist Film Studies, Chapter Two Re-reading Sociological Criticism: Roles, Stereotypes, and Popular Film Melodramas of the Early 1950s, Chapter Three Re-reading Narrative Structure and Gender: The “Social Problem” Film in the 1950s, Chapter Four Re-reading Psychoanalysis for Feminist Film Studies: The “Family Romance” and “the Gaze” in Female-Oriented Film Melodramas of the 1950s, Chapter Five Race, Class, and Gender: Film Melodramas of the Late 1950s, Epilogue