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Chandna

Spatial Boundaries, Abounding Spaces

Colonial Borders in French and Francophone Literature and Film

Medium: Buch
ISBN: 978-94-6270-273-8
Verlag: Leuven University Press
Erscheinungstermin: 07.07.2021
Lieferfrist: bis zu 10 Tage

Colonial
expansion and spatial grammar in French-language works from different historical
and national contexts

Colonialism advanced its
project of territorial expansion by changing the very meaning of borders and
space. The colonial project scripted a unipolar spatial discourse that saw the
colonies as an extension of European borders. In his monograph, Mohit Chandna engages
with narrations of spatial conflicts in French and Francophone literature and
film from the nineteenth to the early twenty-first century. In literary works by
Jules Verne, Ananda Devi, and Patrick Chamoiseau, and film by Michael Haneke,
Chandna analyzes the depiction of ever-changing borders and spatial grammar
within the colonial project. In so doing, he also examines the ongoing
resistance to the spatial legacies of colonial practices that act as
omnipresent enforcers of colonial borders. Literature and film become sites
that register colonial spatial paradigms and advance competing narratives that
fracture the dominance of these borders.

Through its analyses Spatial
Boundaries, Abounding Spaces shows that colonialism is not a finished
project relegated to our past. Colonialism is present in the here and now, and
exercises its power through the borders that define us.

Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

“The
colonial project is far from over and it continues to determine our lives
through the borders that surround us. In order to understand here and now, one
needs to start with there and then.”, Mohit Chandna


Produkteigenschaften


  • Artikelnummer: 9789462702738
  • Medium: Buch
  • ISBN: 978-94-6270-273-8
  • Verlag: Leuven University Press
  • Erscheinungstermin: 07.07.2021
  • Sprache(n): Englisch
  • Auflage: Erscheinungsjahr 2021
  • Produktform: Kartoniert
  • Gewicht: 471 g
  • Seiten: 302
  • Format (B x H x T): 156 x 234 x 16 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Autoren

Mohit Chandna completed his doctoral studies at Cornell University, New York, and currently works as assistant professor in the Department of French and Francophone Studies at the English and Foreign Languages University, Hyderabad.

Chapter 1: Introduction:

Charting Course

Anchoring Space - Doing Space - Geographies of
Literature - Postmodern Spaces – Material - Histories



Chapter 2: Around
the World in Eighty (One) Days

Section 1. Understanding Verne:

Laying the Groundwork

Verne and the World - Verne’s Geography - Geography
on Verne - Reading Verne’s Geographies - Rounding
up the World - Capital Repetitions: Monghir

Section 2. Opium Silence and Nineteenth-Century French Literature

Colonizing Hong Kong - Illegal Opium and Colonial Wealth - Opium Cities - Opium Race



Chapter 3: Dislocating the Indian Nation: Ananda
Devi’s Homelands

Global Pathways - Along a Local Road - Dislocating Location - Grounding
Identity - Patriarchal Homelands - Tango with India - Delhi’s Underbelly - Antipodal
Itineraries - Desert Safari - Producing Dissent - Rediscovering India



Chapter 4: Martinique: Space, Language, Gender

Section 1. Contextualizing Texaco

Texaco and its Significations - A Spatial Metaphor - Literary Margins:

City and Language - Marie-Sophie as Texaco - Chamoiseau and Feminism - Reinventing the City

Section 2. Martinique’s Literary Identity and French Borders

Martinique: Colonial History, Postcolonial Literature - French Borders, Martinican Text

Section 3. Text, Texaco and Landscape

Texaco: Space and Language - Rewriting l’En-ville

Section 4. France, Martinique and Marie-Sophie’s Body

Marie-Sophie and Texaco - Marie-Sophie’s
body and Martinique



Chapter 5: Out of Place: French Family at (Algerian)
War 205

Immaterial Differences - Locating Caché - White Lies - Hidden Agenda - Colonial Family;
National Lies - Colonial Past; Cinematic Present - Escaping Images
- Deadly Images



Epilogue: Interjecting Passages

Notes

Bibliography