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D'Errico

Powers of Divergence: An Experimental Approach to Music Performance

Medium: Buch
ISBN: 978-94-6270-139-7
Verlag: LEUVEN UNIV PR
Erscheinungstermin: 27.07.2018
Lieferfrist: bis zu 10 Tage

Beyond
resemblance: creative divergence in music performance

What does it mean to produce resemblance in the performance of written
music? Starting from how this question is commonly answered by the practice of
interpretation in Western notated art music, this book proposes a move beyond
commonly accepted codes, conventions and territories of music performance.
Appropriating reflections from post-structural philosophy, visual arts and
semiotics, and crucially based upon an artistic research project with a strong
creative and practical component, it proposes a new approach to music
performance. The approach is based on divergence, on the difference produced by
intensifying the chasm between the symbolic aspect of music notation and the
irreducible materiality of performance. Instead of regarding performance as
reiteration, reconstruction and reproduction of past musical works, Powers
of Divergence emphasises its potential for the emergence of the new and for
the problematisation of the limits of musical semiotics.

Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).


Produkteigenschaften


  • Artikelnummer: 9789462701397
  • Medium: Buch
  • ISBN: 978-94-6270-139-7
  • Verlag: LEUVEN UNIV PR
  • Erscheinungstermin: 27.07.2018
  • Sprache(n): Englisch
  • Auflage: Erscheinungsjahr 2018
  • Serie: Orpheus Institute Series
  • Produktform: Kartoniert
  • Gewicht: 590 g
  • Seiten: 198
  • Format (B x H x T): 190 x 285 x 10 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Autoren

Lucia D’Errico is a musician and artistic researcher. She is research fellow at the Orpheus Institute Ghent.

Erratum: Table of contents
In the table of contents of the printed books the description of Book I, Book II and Book III is incorrect. This information is correct in the table of contents below and in the PDF version of the book.

Preface
AcknowledgmentsSpecific TerminologyIntroduction
BOOK I Description of the PracticeThe Problem of ResemblanceBeyond ImprovisationA Series of Anamorphic GlancesOn MethodologyPhonographic WritingThe Phantasmic Image of the Musical WorkThe Vectors of the BodyThe Musical Work as a “Manifold”A Peripheral InstrumentModes of Exposition BOOK II DerivativesDerivative I: On Three Different (Musical) EyesDerivative II: The Phonocentric Vision of MusicDerivative III: An Eye That Sees ItselfDerivative IV: The Joyous Power of SimulacraDerivative V: How to Defy Perspective through PerspectiveDerivative VI: AutomatonDerivative VII: How to Produce a Phantasm? Part I: Gian Lorenzo BerniniDerivative VIII: How to Produce a Phantasm? Part II: Francis BaconDerivative IX: How to Produce a Phantasm? Part III: Salvatore SciarrinoDerivative X: How to Produce a Phantasm? Part IV: Carmelo Bene BOOK III Five Glances upon the Unspeakable BodyAppendix 1: Techniques of MinorationAppendix 2: List of Musical ExamplesClosing RemarksReferencesBiographical Note