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Entr'acte

Performing Publics, Pervasive Media, and Architecture

Medium: Buch
ISBN: 978-1-349-49280-0
Verlag: Palgrave Macmillan US
Erscheinungstermin: 19.11.2015
Lieferfrist: bis zu 10 Tage

Generally taking place in front of closed curtains during set changes between acts, the entr'acte delivers a fleeting new purpose and event to the otherwise sometimes inert space between stage and pit. This collection employs the entr'acte as a model for conceptualizing emerging formations of publics and of public space.


Produkteigenschaften


  • Artikelnummer: 9781349492800
  • Medium: Buch
  • ISBN: 978-1-349-49280-0
  • Verlag: Palgrave Macmillan US
  • Erscheinungstermin: 19.11.2015
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2015
  • Serie: Avant-Gardes in Performance
  • Produktform: Kartoniert
  • Gewicht: 3115 g
  • Seiten: 224
  • Format (B x H x T): 140 x 216 x 14 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Herausgeber

Preface: "3 Intervals": Paul Virilio in discussion with Jordan Geiger 1. Entr'acte, Interim, Interstice: Performing Publics and Media Across Scales of Time and Space; Jordan Geiger INTERVAL I: SUPRANATIONAL 2. Cloud Megastructures and Platform Utopias; Benjamin H. Bratton 3. "Hello! My Name Is Sophia," I Am Going to Tweet Democracy, Google My College Degree, and 3-D Print My House! A Speculative Piece on Neo-Republic of Hyper-Individuals in the Near Future; Nashid Nabian 4. Entr'actions: From Radical Transparency to Radical Translucency; Ricardo Dominguez INTERVAL II: INTERURBAN 5. The Hypercity that Occupy Built; Jonathan Massey and Brett Snyder 6. Image Cities Spectacles: Imagining a World Class African City; Mabel O. Wilson and Mario Gooden 7. Crowd Choreographies; Omar Khan 8. Growing the Seeds of Change; Elke Krasny INTERVAL III: TRANSINDIVIDUAL 9. Looking into Nature: Learning and Delight in a STE[A]M Park; Brenda Laurel 10. (Unofficially) Enacting the Commons; Malcolm McCullough 11. Between Plateau and Mirror: A Sound and Projection Field for Daniel Lanois' "Later That Night at the Drive-In"; Adrian Blackwell and Eduardo Aquino