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Gibson / Arisona / Leishman

Live Visuals

History, Theory, Practice

Medium: Buch
ISBN: 978-1-032-25261-2
Verlag: Routledge
Erscheinungstermin: 29.07.2022
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This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time.

Covering a wide historical period from Pythagoras’s mathematics of music and colour in ancient Greece, to Castel’s ocular harpsichord in the 18th century, to the visual music of the mid-20th century, to the liquid light shows of the 1960s and finally to the virtual reality and projection mapping of the present moment, Live Visuals is both an overarching history of real-time visuals and audio-visual art and a crucial source for understanding the various theories about audio-visual synchronization. With the inclusion of an overview of various forms of contemporary practice in Live Visuals culture – from VJing to immersive environments, architecture to design – Live Visuals also presents the key ideas of practitioners who work with the visual in a live context.

This book will appeal to a wide range of scholars, students, artists, designers and enthusiasts. It will particularly interest VJs, DJs, electronic musicians, filmmakers, interaction designers and technologists.

Produkteigenschaften

  • Artikelnummer: 9781032252612
  • Medium: Buch
  • ISBN: 978-1-032-25261-2
  • Verlag: Routledge
  • Erscheinungstermin: 29.07.2022
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2022
  • Serie: Routledge Advances in Theatre & Performance Studies
  • Produktform: Gebunden, HC gerader Rücken kaschiert
  • Gewicht: 872 g
  • Seiten: 472
  • Format (B x H x T): 161 x 240 x 30 mm
  • Ausgabetyp: Kein, Unbekannt

Themen

Autoren/Hrsg.

Herausgeber

List of contributorsAcknowledgementsIntroduction - The Long History of Moving Images Becoming AliveSteve GibsonPART I THE HISTORY OF LIVE VISUALSChapter 1 - Inventing Instruments: Colour-Tone Correspondence to Colour-Music Performance (pre-1900) Maura McDonnellChapter 2 - Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)Steve GibsonChapter 3 - Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)Steve GibsonChapter 4 - Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000) Léon McCarthy and Steve GibsonChapter 5 - The Post-conceptual Digital Era (2000-present)Paul Goodfellow and Steve GibsonPART II THE THEORY OF LIVE VISUALSChapter 6 - Cross-Modal Theories of Sound and ImageJoseph HydeChapter 7 - Live Visuals in Theory and ArtPaul GoodfellowChapter 8 - Live Visuals: Technology and AestheticsLéon McCarthyChapter 9 - AVUIs: Audio-Visual User Interfaces - Working with Users to Create Performance TechnologiesNuno N. Correia and Atau TanakaChapter 10 - A Parametric Model for Audio-Visual Instrument Design, Composition and PerformanceAdriana Sá and Atau TanakaChapter 11 - Presence and Live Visuals PerformanceDonna LeishmanPART III THE PRACTICE OF LIVE VISUALSChapter 12 - VJing, Live Audio-Visuals and Live CinemaSteve Gibson and Stefan ArisonaChapter 13 - Immersive Environments and Live VisualsSteve GibsonChapter 14 - Architectural Projections: Changing the Perception of Architecture with LightSimon Schubiger, Stefan Arisona, Lukas Treyer, and Gerhard SchmittChapter 15 - Design and Live VisualsDonna LeishmanPART IV INTERVIEWS WITH KEY PRACITIONERS-STEVE GIBSONChapter 16 - Interview 1 - Tony Hill, Expanded Cinema pioneer Chapter 17 - Interview 2 - Christopher Thomas Allen, Founder & Director, The Light Surgeons Chapter 18 - Interview 3 - Greg Hermanovic, CEO, DerivativeChapter 19 - Interview 4 - Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and others. Chapter 20 - Interview 5 - Peter Mettler, Digital and Live Cinema Artist AfterwardIndex