Odin - Spaces of Communication

Spaces of Communication

Elements of Semio-Pragmatics

Medium: Buch

ISBN: 978-94-6298-714-2

Verlag: Amsterdam University Press

Erscheinungstermin: 22.12.2021

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Spaces of Communication offers a concise introduction to semiopragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It testifies to the author’s deep and rich intellectual engagement with a vast array of objects ranging from the classics of the cinephile canon to television news programs, home movies and mobile phone films.

Produkteigenschaften

Artikelnummer: 9789462987142
Medium: Buch
ISBN: 978-94-6298-714-2
Verlag: Amsterdam University Press
Erscheinungstermin: 22.12.2021
Sprache(n): Englisch
Auflage: Erscheinungsjahr 2021
Serie: Amsterdam University Press
Produktform: Gebunden
Seiten: 176
Format (B x H x T): 156 x 235 x 10 mm
Ausgabetyp: Kein, Unbekannt

Themen

Autoren

Roger Odin is emeritus professor of Communication at Paris 3 University; Head of the Film and Audiovisual Institute (1983-2003); Theorist of the semio-pragmatic approach (De la fiction, 2000; Les Espaces de Communication, 2011).

A Democracy of Readings and Objects: Roger Odin’s Contribution to the Theory of Film (Vinzenz Hediger)

What We Make of Images and Sounds: Semio-Pragmatics as Approach and Method

Establishing a Discipline, Cultivating a Field: Roger Odin and Film Studies in France

Moving Semiotics Forward: Semio-Pragmatics and Film Theory since the 1960s

Beware of the Crypt: Semio-Pragmatics and the Question of Communication

After the Elegy of Cinema: Semio-Pragmatics and the State of Film Studies

Spaces of Communication: Elements of Semio-Pragmatics (Roger Odin)

Foreword and Acknowledgements

Introduction: The Semio-Pragmatic Model

On the Difficulty of Getting Away from Immanence

On the Difficulty of Staying Within Immanence

Vacillation

For an Articulation between the Two Paradigms: Semio-Pragmatics

The Semio-Pragmatic Model

1. Context, Constraints and the Space of Communication

Universally Shared Constraints

Natural Constraints

The Narrative Constraint

The Case of Languages

Language and Perception

The Influence of a Language on How We Read Images

“Non-Natural” Constraints and the Notion of the “Space of Communication”

2. The Discursive Space: Communicative Competence and Modes of Production of Meaning

Fictionalizing Mode (First Approach)

Spectacularizing and Energetic Modes

Documentarizing Mode, Moralizing Mode

Fictionalizing Mode (Second Approach); Fabulating Mode

3. Aesthetic Mode, Artistic Mode: Relationship between Modes and Spaces

From the Aesthetic Mode to Aesthetic Spaces

From the Artistic Mode (in Reduced Form) to Inscription in the Space of Art

From the Artistic Mode (Full-Fledged Form) to the Spaces of Art

Relationship among Modes and among Spaces

4. Contextual Analysis and the Space of Communication: The Space of Communication of Family Memory

The Space of Communication for Memory in the “Traditional” Family

The Constraints and the Construction of the Actants

Which Mode(s) to Construct? Private Mode, Intimate Mode

Communication Operators

The Space of Communication for Memory in the New Family Structure

“Freed-Up” Communication

Testimony Mode: Another Mode of Production of Meaning

Other Memory Operators

5. The Space of Communication and Migration: The Example of the Home Movie

The Home Movie: From Archives to Loci of Memory

The Home Movie on Television

From Home Movie to Micro-Histories

The Home Movie in the Space of Art

The Home Movie in the Medical Context

6. Textual Analysis and Semio-Pragmatics

A Stage of the Tour de France on Television

Interpreting the Reproduction of a Painting

Collective Academic Research

The Space of Description and the Construction of the Object of Analysis

From the Space of Textual Analysis to the Space of Interpretation

The Space of Ideological Analysis

The Space of Epistemological Reflection

The Place of Cinema in the Academic Institutional Space

Conclusion

List of Tools

The Different Stages of Construction of the Semio-Pragmatic Model

Bibliography

Index

Spaces of Communication

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