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Potdar / Saha

Performance Making and the Archive

Medium: Buch
ISBN: 978-0-367-19560-1
Verlag: Routledge India
Erscheinungstermin: 30.11.2022
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This book investigates theories and practices shaped by a performance’s relationship to the archive. The contributions in the volume examine how the changing nature of performance practices has made it imperative to understand how the archive and archival practices could add to the performance work. They explore a variety of themes, including artistic engagement with the archive in both conceptual and material terms; physical, virtual and digital forms; publicly and privately collected; oral, written and digital ways; or organized and unorganized collections. Finally, the volume examines how archives are modelled on existing structure and the ways in which they can be brought into discourses and practices of performance making through engagement and contestation.

A novel approach to performance theory, this volume will be of great interest to scholars and researchers of performance studies, media and culture studies, studies of technology and art as also literature and literary criticism.


Produkteigenschaften


  • Artikelnummer: 9780367195601
  • Medium: Buch
  • ISBN: 978-0-367-19560-1
  • Verlag: Routledge India
  • Erscheinungstermin: 30.11.2022
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2022
  • Produktform: Gebunden, HC gerader Rücken kaschiert
  • Gewicht: 678 g
  • Seiten: 340
  • Format (B x H x T): 161 x 240 x 23 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Herausgeber

List of Figures Notes on Contributors Foreword: Performance, Memory and Absence SUNDAR SARUKKAIIntroduction ASHUTOSH POTDAR AND SHARMISTHA SAHAPART IConcepts, Histories and Performances 1 Archive and Performance; Madness and Revolution: On Marat, Sade and Theroigne de Mericourt SOUMYABRATA CHOUDHURY2 Interpreting Material ASHUTOSH POTDAR3 Performance, Its Archive and Historicity: Notes on Intercultural Critique SHARMISTHA SAHA4 Invisible Histories: Tracing Displacement, Bondage and Resistance through Adivasi Songs and Performance Practices in Wayanad DEVIKA N. MENON5 Materializing Site NELA MILIC6 From Oblivion to Acceptance: Sadir Dancer Muthukannammal's Presence as a Challenge to Representations A. P. RAJARAM7 Archiving for New Emerging Disciplines SAMIK BANDYOPADHYAYPART IIDramaturgical Shaping and Re-shaping 8 The Dramaturgy of the Archive: An InterviewFREDDIE ROKEM9 Rehearsing the Witness: The Bhawal Court Case ZULEIKHA ALLANA10 Documentary Theatre and My Performance Practice ANUJA GHOSALKAR11 Archiving Tamasha and Lavani through Performance SHARVARI SASTRY AND SAVITRI MEDHATUL12 Narratives of Existence: Witnessing Lived and Imagined Realities HINA SIDDIQUIPART IIIDesign and Directorial Methods of Creation 13 C'est la CEPT: Archiving the Archive ISHITA JAIN, HARSH BHAVSAR AND GAVIN KEENEY14 Inside Out ARAM LEE, ANAIS BORIE AND OTTONIE VON ROEDER15 When I Performed as a Worker as an Artist AMITESH GROVER16 On Aaydaan SUSHAMA DESHPANDE17 Conversation with Sunil Shanbag SUNIL SHANBAGPART IVMany Methods, Multiple Archives 18 Archiving Performing Arts in India: An Overview SHUBHA CHAUDHURI19 Filming the River: Notes and Thoughts from The Chronic Life Film Edition CHIARA CRUPI20 No Context: Curatorial Writing, Contemporary Dance and the Archive VICTORIA MOHR-BLAKENEY21 30 Minutes about Mumbai's Theatre History RAMU RAMANATHANIndex