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Sherwood

Biblical Blaspheming

Medium: Buch
ISBN: 978-1-107-00786-4
Verlag: Cambridge University Press
Erscheinungstermin: 06.09.2012
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This book explores the strange persistence of 'blasphemy' in modern secular democracies by examining how accepted and prohibited ways of talking and thinking about the Bible and religion have changed over time. In a series of wide-ranging studies engaging disciplines such as politics, literature and visual theory, Yvonne Sherwood brings the Bible into dialogue with a host of interlocutors including John Locke, John Donne and the 9/11 hijackers, as well as artists such as Sarah Lucas and René Magritte. Questions addressed include: • What is the origin of the common belief that the Bible, as opposed to the Qur'an, underpins liberal democratic values? • What kind of artworks does the biblical God specialise in? • If pre-modern Jewish, Christian and Islamic responses to scripture can be more 'critical' than contemporary speech about religion, how does this affect our understanding of secularity, modernity and critique?

Produkteigenschaften

  • Artikelnummer: 9781107007864
  • Medium: Buch
  • ISBN: 978-1-107-00786-4
  • Verlag: Cambridge University Press
  • Erscheinungstermin: 06.09.2012
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2012
  • Produktform: Gebunden, HC gerader Rücken kaschiert
  • Gewicht: 731 g
  • Seiten: 402
  • Format (B x H x T): 157 x 235 x 26 mm
  • Ausgabetyp: Kein, Unbekannt

Themen

Autoren/Hrsg.

Autoren

Yvonne Sherwood is Professor of Bible, Religion and Culture at the University of Glasgow. She is author of A Biblical Text and Its Afterlives: The Survival of Jonah in Western Culture (Cambridge University Press, 2000); Derrida's Bible: Reading a Page of Scripture with a Little Help from Derrida (2004); The Prostitute and the Prophet (2004) and, with Stephen Moore, of The Invention of the Biblical Scholar: A Critical Manifesto (2011). She is co-editor of Sanctified Aggression: Legacies of Biblical and Post-Biblical Vocabularies of Violence (with Jonneke Bekkenkamp, 2003) and, with Kevin Hart, of Derrida and Religion: Other Testaments (2004).

Preface; Part I. The Persistence of Blasphemy: 1. The persistence of blasphemy: the Bible as a public edifice in the secular state; Part II. Biblical Exhibitions/Biblical Exhibitionism: 2. The exquisite fruit-corpse and the surrealist works of God; 3. Prophetic scatology: prophecy and the art of sensation; Part III. Inappropriate Involvement in the Biblical Text: 4. A recently discovered letter from Isaac to Abraham (annotated); 5. Passion-binding-passion: sacrifice, masochism and the subject; Part IV. Beyond 'the Bible as Literature': 6. 'Not with a bang but a whimper': shrunken apocalypses in Ecclesiastes 12.1-8 and twentieth-century modernism; 7. The fear of loss inherent in writing: Jeremiah 36 as the tedious self-narration of a highly self-conscious scroll with Mark Brummitt; 8. John Donne and the Baroque prophets; Part V. Theo-politics, Authority and the Bible: 9. On the genesis of the alliance between the Bible and rights; 10. Binding-unbinding: pre-critical 'critique' in pre-modern Jewish, Christian and Islamic responses to the 'sacrifice' of Abraham/Ibrahim's son.