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Classical Concert Studies

A Companion to Contemporary Research and Performance

Medium: Buch
ISBN: 978-0-367-85595-6
Verlag: Routledge
Erscheinungstermin: 02.09.2020
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Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future.

Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.

Produkteigenschaften

  • Artikelnummer: 9780367855956
  • Medium: Buch
  • ISBN: 978-0-367-85595-6
  • Verlag: Routledge
  • Erscheinungstermin: 02.09.2020
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2020
  • Produktform: Gebunden, HC gerader Rücken kaschiert
  • Gewicht: 1600 g
  • Seiten: 380
  • Format (B x H x T): 183 x 260 x 25 mm
  • Ausgabetyp: Kein, Unbekannt

Themen

Autoren/Hrsg.

Herausgeber

Weitere Mitwirkende

List of figures List of tablesAcknowledgementsList of contributorsConcert StudiesI. The Concert as an Event1. A Concert Theory2. Music as Text, Music as Performance3. 4'33" The Concert as a Performative Moment4. The Discovery of Listening in the Concert5. Between Formalization and Exaggeration: An Ethnomusicological Perspective6. Concert Formats: Liturgy-Ritual-Power?II. Programs, Formats, and Media7. From Program Leaflets to Listening Apps: A Brief History of Guided Listening8. Space, Light, Proximity: Aspects of Historical Performance Practice9. Preludes, Fantasias, and Collages: Improvisation, a Forgotten Art in the Classical Concert10. Concert Design: Form Follows Function11. Musical Curator and Concert Director12. The Yellow Lounge Reinvents the Concert Forum13. Strategies for the Production of PresenceIII. Space-Sound-Instruments14. Noise and Sound: The Historicity and Sociability of the Senses15. From Sound to Noise: The History of Hearing in the Nineteenth and Early Twentieth Centuries16. The Soundscape of Vienna: Pictorial Essay17. The Cultural Dimensions of Atmospheres: Sociological Observations of the resonanzraum in Hamburg18. A Sociological Reflection on the Concert Venue19. Cinema for the Ears: Technical Developments in Acoustics and Loudspeaker Systems20. Digital Encore: Virtualization, Live Coding, and New InterfacesIV. The Audience and the Musicians21. Between Audience Decline and Audience Development:Perspectives on the Professional Musician, Music Education, and Cultural Policy22. Musical, Social, and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts23. Studying Music . . . And Then What? 24. "Playing Concerts Is Not Enough": On the Identity of the Deutsche Kammerphilharmonie Bremen25. Women in Music Culture: A History of (Non-)Participation?26. The Konzerthaus Berlin: A Concert Hall in Transition27. Audience Development and Engagement V. Economy and Policy28. The Influence of Economic Variables in the Concert Industry29. Roll Over Beethoven . . .: Notes on Concerts under Conditions of the Culture Industry 30. The Dematerialization of Music: How Streaming Technology Impacts Music Production and Consumption31. The "New Classic"32. Actors in the Classical Music Business: A Media Discourse Analysis VI. Concert Research33. A Manifesto of Concert Culture34. Concerto21: A Didactic Introduction for Concert Development35. The Researching Orchestra: Innovative Collaborations between Symphonic Orchestras and Knowledge Institutions36. The Classical Concert as an Object of Empirical AestheticsIndex