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Tucker

Nature Exposed

Photography as Eyewitness in Victorian Science

Medium: Buch
ISBN: 978-1-4214-1093-7
Verlag: Johns Hopkins University Press
Erscheinungstermin: 01.07.2013
Lieferfrist: bis zu 10 Tage

In Nature Exposed, Jennifer Tucker studies the intersecting trajectories of photography and modern science in late Victorian Britain. She examines the role of photograph as witness in scientific investigation and explores the interplay between photography and scientific authority.

Almost immediately after the invention of photography in 1839, photographs were characterized as offering objective access to reality—unmediated by human agency, political ties, or philosophy. This mechanical objectivity supposedly eliminated judgment and interpretation in reporting and picturing scientific results.

But photography is a labor-intensive process that allows for, and sometimes requires, manipulation. In the late nineteenth century, the nature of this new technology sparked a complex debate about scientific practices and the value of the photographic images in the production and dissemination of scientific knowledge.

Recovering the controversies and commentary surrounding the early creation of scientific photography and drawing on a wide range of new sources and critical theories, Tucker establishes a greater understanding of the rich visual culture of Victorian science and alternative forms of knowledge, including psychical research.


Produkteigenschaften


  • Artikelnummer: 9781421410937
  • Medium: Buch
  • ISBN: 978-1-4214-1093-7
  • Verlag: Johns Hopkins University Press
  • Erscheinungstermin: 01.07.2013
  • Sprache(n): Englisch
  • Auflage: Erscheinungsjahr 2013
  • Produktform: Kartoniert, Paperback
  • Gewicht: 527 g
  • Seiten: 312
  • Format (B x H x T): 156 x 234 x 18 mm
  • Ausgabetyp: Kein, Unbekannt
Autoren/Hrsg.

Autoren

Jennifer Tucker is an associate professor of history, science in society, and gender studies at Wesleyan University. Her work has been published in the New York Times, Wall Street Journal, and Boston Globe.

Acknowledgments
Introduction
1. Constructing Science and Brotherhood in Photographic Culture
2. Testing the Unity of Science and Fraternity
3. Acquiring a Scientific Eye
4. Photography of the Invisible
5. Photographic Evidence and Mass Culture
Epilogue: Photographic Evidence and Mass Culture
Notes
Essay on Sourcess
Index